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Begone Dull Care and Synchromy: compare two relationships between music and image

Begone Dull Care and Synchromy make a compact pairing for anyone curious about how animation can meet music. The NFB credits Evelyn Lambart and Norman McLaren on Begone Dull Care, with music by the Oscar Peterson Trio. Synchromy is McLaren's experiment linking optical sound construction and the visible image. Watch them with one question: what kind of relationship does each create between what you hear and see?

IPTV Canada editorial · Published 2026-11-04 · Canadian English

IPTV Canada illustration: Resolution is one part of the picture
Source quality, playback software, hardware and the screen all affect what you see.

Begin with a shared listening question

During each film, notice a change in the music and the visual activity around it. Does a mark appear to answer a rhythm, extend a phrase or create a contrasting pattern? Choose a short passage you can describe afterwards. Avoid requiring yourself to identify every instrument or explain the production method on a first viewing.

When comparing notes, describe a relationship rather than merely writing "the pictures fit the music." A useful observation names the change: density, speed, colour, direction or repetition, for example. Another viewer may follow a different musical detail and notice a different visual connection. That gives the conversation something concrete to compare.

Use the credits and methods to refine the comparison

The official record describes painting and engraving directly on film for Begone Dull Care. Its credits recognise both Lambart and McLaren. Keep that shared authorship attached to the recommendation; a familiar single name should not erase a credited collaborator.

For Synchromy, the NFB explains that sound cards were photographed into both the soundtrack and picture area. That is a particular construction method, rather than a general label for any animation timed to music. After reading the explanation, revisit your observation: does knowing how a connection was made change what you attend to? You can appreciate the relationship without attempting to recreate the historical equipment or infer a modern playback specification from it.

End with a small creative response

Choose a piece of music you are entitled to use privately and make a simple series of marks on paper while listening. On a second sheet, set yourself a different constraint, such as using only repeated lines. Compare what the constraint changed in your response. This optional exercise explores attention; it does not reproduce either film's method.

Save both exact titles and their credits so a future search returns the intended works. Use the official NFB records to confirm the viewing routes. The pairing offers two distinct approaches to an audiovisual idea, with enough shared ground for a focused conversation and enough difference to make a second viewing worthwhile.

Related questions

Does Synchromy's optical technique describe my television's audio settings?

No. It describes the film's construction. Diagnose a playback sync problem with the relevant player and device guidance.

Sources and scope

Scope notes distinguish published documentation, supplied information and editorial methods. They do not report a hands-on service test.

  • National Film Board: Begone Dull Care — Official work identity, credits and synopsis; discussion/planning suggestions are editorial, no first-hand screening or IPTV carriage claimed.
  • National Film Board: Synchromy — Official work identity, credits and synopsis; discussion/planning suggestions are editorial, no first-hand screening or IPTV carriage claimed.
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