A television guide can carry a radio service
Vues et Voix explicitly calls Canal M a radio service and describes both web and digital-television distribution. Those routes identify how listeners reach the sound; they do not transform a programme into moving-picture television. If a channel entry carries audio with a still screen, first establish the intended medium before reporting a missing picture.
The publisher provides an online live player and names podcast listening routes in its FAQ. A particular podcast episode and the continuous station output have different scopes. Selecting an archived programme is not the same as joining the live station halfway through its current item.
Choose a subject and the programme’s actual form
The publisher's examples include Aux Quotidiens for news through an inclusive lens, Sans Détour for disability rights and accessibility, and Folie Douce for mental-health discussion. These are different editorial appointments within one radio identity. A subject category does not mean every item has the same contributors or intended audience.
For a recommendation, preserve the programme title and episode topic. “The accessibility programme” could mean a rights discussion, a cultural interview or a personal account. A participant's experience should remain attributed to that participant rather than become a claim about everyone with a similar disability.
A literary magazine differs from an audiobook
Des livres plein les oreilles is described as a literary magazine about audiobooks, authors and narrators. Its page identifies Clotilde Seille as presenter and includes a Quebec-literature episode. Discussion of a new book is not necessarily a complete reading of that book.
The programme directory separately labels De la plume à l'oreille as readings of public-domain works. Keep these formats distinct when looking for a story to follow from beginning to end. A magazine's guest interview and a serialized reading answer different listening requests, even when both mention the same author.
Adapted books have a separate service context
Vues et Voix also produces adapted audiobooks associated with Bibliothèque et Archives nationales du Québec's Service québécois du livre adapté. Its organizational page discusses DAISY-format books and the audiences served. That activity is distinct from the Canal M radio schedule.
Use the library's own current service information for an adapted-book request. Hearing a book discussed on public radio does not establish that every listener can borrow every edition through a particular adapted-library programme. Likewise, the radio page does not establish which navigation features are present in an independently supplied audio file.
Keep distribution and accessibility checks specific
The publisher's distribution information is a starting point for the named route, rather than proof of IPTV Canada carriage. Use the actual distributor's current information for channel placement and the official programme page for episode identity.
When a listening control is difficult to use, describe the route and the precise obstacle, such as reaching the live player or locating an archived item. An inclusive editorial mission and the behaviour of one particular device interface are separate questions. This keeps a useful access request connected to an observable task.
Sources and scope
Scope notes distinguish published documentation, supplied information and editorial methods. They do not report a hands-on service test.
- Vues et Voix: organization and Canal M — Primary identity, inclusive radio remit, digital-TV/web distribution and distinct adapted-audiobook activity; no eligibility determination or IPTV carriage claim.
- Vues et Voix: Canal M questions — Publisher programme examples and audio listening routes; provider channel numbers are not copied.
- Canal M: programme directory — Indexed primary programme labels distinguish public-domain readings from a literary magazine; no current appointment copied.
- Canal M: Des livres plein les oreilles — Magazine scope, presenter and Quebec-literature episode example; interviews are not presented as complete audiobook editions.
