Music, performance and film editions
Which Swan Lake? Choreography and production matter
Identify Matthew Bourne’s Swan Lake through choreography, revival design, company and the separate scope of learning extracts.
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The viewing journal — page 160
Practical reading about screens, players, Canadian viewing and the decisions behind a better setup.
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Music, performance and film editions
Metropolis: picture restoration and music are separate credits
Compare documented Metropolis accompaniments without confusing the 2010 picture restoration with music or later event dates.
Read the guideMusic, performance and film editions
The Kid: original film, 1972 reissue and later restoration
Read Chaplin’s 1921 film,1972 reissue and later Criterion restoration as separate edition layers, with score and bonus-scene credits.
Read the guideProgramme identity and viewing
Columbo’s early films: titles are safer than episode numbers
Identify Prescription: Murder and Ransom for a Dead Man by title and cast, while preserving a conflicting storefront year.
Read the guideProgramme identity and viewing
The Twilight Zone: original and reimagined series are separate
Keep Rod Serling’s original Twilight Zone and Jordan Peele’s reimagining separate, including hosts, season records and anthology continuity.
Read the guideProgramme identity and viewing
Alfred Hitchcock Presents and The Alfred Hitchcock Hour: read the credit
Distinguish Presents from The Alfred Hitchcock Hour and use actual episode credits for host, director and writer.
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